Artist in Agony: My Step-Father, Stefano, WWII “Survivor”‘

The Falling Gladiator.Creative Commons CC0 1.0 Universal Public Domain Dedication

by Anthony J. Marsella, Ph.D.

He wanted desperately
To roar in laughter,
Hold his sides
Gasp for breath,
Experience glee,
Know sheer hilarity!
But all manners of pleasure,
All moments of happiness,
Eluded him!
His mind was sealed by trauma!
He knew loss!
He lived pain!
He witnessed horror!
He experienced terror!
He suffered misery!
Lifetime imprints!

He wondered:
How could others abandon control?
Escape past, feel joy?
He looked at them: bewildered:
How? Why?

No answers but “destiny” came!
He recalled Verdi’s opera:
La forza del destino!
Aria: Morir! Tremenda cosa!
(“To die, a momentous thing!”)
He knew death: seen it, smelled it, touched it!

II.
Exuberance . . . impossible!
He was confined to slight smiles,
An occasional toss of the head,
“Sniffs of the nose!”
No intentional mirth.
Somberness!
Laughter with cynicism!
“What do you know?”
Do you know what I have seen?

Momentary pleasures:
Painting with oils,
Carving wood,
Sculpting clay!
Crafting a delicate rosewood mandolin!
Making guitars with no training.
An artist absent agony,
Passing quickly!

Amusement!
Sinful!
Disrespectful!
Insulting!
Demeaning,
Do they not know?
Have they not seen?

He forced a grin
For sake of others,
Nodding!
Unspoken acknowledgement!
Others tried to please him!
A good meal!
A good cigarette!
What do you need Stefano?”

Dark humor was worse!
A meeting place for pain and pleasure!
No Schadenfreud for him,
No satisfaction from someone’s pain.
Who benefits from suffering?

Empathy, sympathy, sorrow!
These he knew well,
He lived amidst them!
Images returning with ease,
Overwhelming him!
No satisfaction in revenge,
No consolation!

He tried to survive!
Sought refuge in a new land!
It was impossible!
Lived experience sealed his fate,
No changes with time or place.
Torment omnipresent!
Inscribed, carved, painted,
In body and mind!

His life caught in time:
Fixed in an artist’s fragile imagination,
Sensations crying for release,
Redemption from sorrow’s grip!
War, poverty, hunger,
Starvation, poverty, death,
Demons!

III.
He walked:
From Torino to Messina — 1943:
1381 kilometers by air!
2000 kilometers on swollen feet!
Avoiding roads,
German troops!

He pondered:
War over for Italian soldiers,
Partisans fighting!
Germans contemptuous!
Firing squads!
Sites before him engraved!
Life intaglios!

He walked:
Rome spared,
Even Nazi Generals understood:
“Do not destroy eternity.”
Destroy only human lives!
They are expendable
For grand designs!

He walked:
Before him destruction, deprivation,
Disgrace, dishonor!
Open-mouth corpses,
Sagging buildings,
Dust in every breath
Children begging,
Women – young and old –
Offering emaciated bodies,
Lira! Lira!

He walked:
With each step,
Memories!
Soldier!
King Victor Emmanuel’s Italian Army!
Spain, Libya, Italy!

He walked

Sopportare!
Bear the unbearable!
Smirk!
Hell is life!
Life is hell!
Fire and brimstone!
No escape!
No sanctuary!

He walked:
Is this what Dante understood?
Where is Beatrice?
How prophetic: “Inferno!”
Poetic words from Petrarch,
Paintings from Leonardo!
Sculptures from Michelangelo!
Carvings from Cellini!

He Walked:
Preoccupations!
What matters beauty?
What matters heritage?
What matters time,
If time can be erased in moments.

Chest-thumping dictator in balconies,
“Better one day as a lion,
Than a lifetime as a lamb!”

Ancient Rome restored.
Metaphors?
Meaningless!

IV.
He welcomed death!
Not for a glorious cause,
But to flee life!
His thoughts went beyond impulse:
He considered place, means, time!
Somber detachment essential!

He went to confession:
Begged for forgiveness,
From God,
From priests,
From self!
Why was he begging?

Priests!
Agents of god . . .
Why does god need agents?
Whose side are priests on?

Priests share confessions with bishops,
Bishops share with Vatican,
Vatican stores secrets for posterity!
Know the truth!
Hide the truth!
Vows cast aside!
Betrayal!

V.
Spanish Civil War:
Two years, 8 months, 1 day:
A lifetime of scars!
Barcelona, Madrid, Guernica:
An enduring legacy!

Prelude to WWII!
Cold-War harbinger!
Middle-East omen!
Ideologies, prophecies, grand designs!

Global military-industrial-banker complexes,
Vultures feasting on death and destruction!
New nations, faces, places,
Old wine in new bottles!
New wine in old bottles!

Factions:
Republicans! Popular Front!
Stalinists! Communists! Unionists! Socialists!
Latvian, Polish, Czech, Garibaldi, Soviet brigades!
Most volunteers, Jewish idealists!
Lincoln Brigade!
Hemingway!
Did he grasp for whom bells toll?

Nationalists! Monarchists! Dictators!
Franco! Carlists! Fascists! Falangists!
Catholicism at stake . . . in new ways!
Opus Dei! A rebirth!
Godless communists!
Jews seeking revenge!

Germans! Italians! Spanish Armies!
Ideologies!
Nations!
Countries!
Fatherland!
Motherland!
Homeland!
No Land!
Why?

Modern War:

Statistics! Maps! Reports!
Dead, wounded, MIA,
Symbols, songs, words:
INTERNATIONALE:
Stand up! All victims of oppression,
For tyrants fear your might,
Don’t cling to your possessions,
For you have nothing,
If you have no rights!

HORST-WESSEL LIED!

Deutschland, Deutschland, Uber Alles!
Sieg Heil! Bloodlines protected!

GIOVINEZZA!

Hail, People of heroes!
Hail, Immortal Fatherland,
Your sons were born again
With faith and ideals!
Warrior values!
Youth, youth!
In the hardship of life!

Realities. . .
Idealism in an age of want!
Nobility in failure!
Romanticized war posters!
Dying for country!
Blood sacrifices!

Orders!
Vodka, wine,
Charge the hill!
Futility!
Potatoes, cabbage, rats!
Minds, bodies, souls, driven by madness!
Causes forgotten!
Amid stupor!
Claw, crawl, hide!
Cry!
Primitive survival!

Bandiera Roso!
Red! Blood Red!
Round Eastern-European faces,
Stop Fascism,
Stalin’s scourge!

Republican brigades in Red Bandanas!
Men . . . women . . . youth!
Standing nearby:
Staring, spitting,
Contempt-filled faces,
No tears!
Loyalists taking notes!

Spread the new Gospel of the Age . . . Communism!
How glorious to die for cause!
Do not hesitate!
Our cause is just!

(USA supported Franco silently:
“Fear of Communism!
No profit! No Investments!
Better dead than Red!”
It never ended!)

Bodies: Headless, limbless, blood-soaked!
Priests, nuns, altar boys . . . shot!
Churches filled with people praying!
Youth, women, old men!
Burned alive!
Statues shattered!
Myths broken!

Loyalists:
You want freedom?
You want equality?
We give you equality,
But for a price!
Your life!

Stukas! Tanks! Blitzkrieg!
Cold, mechanical, precision metal!
Ordered ranks!
Goosesteps! Boots! Helmets!
Ideology no match!
Lives inconsequential!

The Artist in Agony:
Confess!
Reality blurred! Unsure!
Confess for imagined sins!
Confess for sins of others!
Confess for being alive!
Unable to remember!
“Father, Forgive them . . . !”
Forgiveness . . . for what?

Confess . . . What?
For failing to shoot prisoners!
For refusing orders!
For witnessing firing squads!
For offering water to a dying woman,
Blood-saturated blouse,
Blue eyes, blonde hair,
Conscripted for cause!
Gracias, Senor!
Dying in your arms!

Confess . . . What?
Madness on all sides
Massacred nuns, priests in black,
Fascist soldiers in brown and grey!
Jewish zealots avenging history,
Still fighting Rome!
Religious fanatics, Loyalists,
Protecting God, Mary, Saints,
Statues, candles, incense, mea culpa!

Confess…What?

For living!
For turning from torture,
For wanting to breathe air free of dust and blood,
For chewing stale bread,
When bread no longer mattered;
For quenching thirst,
With mud-slaked water!

Confess…What?

Confess . . . What?
Once my Stepfather told me:
“Hunger does not know bad bread!
Fame no conosce pani malo.
Manga!”

“Finish your food!
Mama worked hard to cook it.
I worked hard to place it on the table.”
I nodded in agreement: “Si Padre!”
He was right!
How could I know sources of his words?

VI.
His mind began crumbling,
Years before,
An absence of hope!
Can tapestry be weaved
From broken strands, fibers . . . burned embers?

In his life:
Mother lost to war,
Sister to disease,
Father to work,
Home to bombs!

Brother, Prisoner-of-War:
Insults and humiliation,
Barbed-wire fences,
British guards pointing rifles,
Eager to shoot,
Taunting, mocking, insulting,
Daring prisoners to run,
For rifle practice!

Post-War Italy:

Chaos! Confusion! Deceit! Betrayal!
Communists, Fascists, Socialists, Anarchy!
Fifty governments in ten years!

And from America . . . Operation Gladio!

American CIA, Italian elites, Vatican, bankers:
Communism must be stopped in Italy,
At any cost! Blood in the streets!
Assassinations, beatings, torture, prison!

Choose sides!
Choose cronyism!
Choose evil!

Escape to America!
He wrote to his brother;
He came to America!
His new land, not what he expected,
Not what he needed,
Not what he wanted,
No respite offered!
Poverty!
No opportunity!
America: Illusion!

His hopes failing!
Every word an offense!
Every day a burden!
His wife and son . . . kind and caring;
He needed more!

Escape from past,
Freedom from present!
Renewal!
Return to place!
Comfort in old habits, reflexes, routines?

VII

I once saw him laugh . . . uninhibited,
Unrestrained!
Almost hysterical
Vino et veritas!
I welcomed his joy!
It never returned!

He was slightly inebriated,
Too much wine!
In our house
A dinner party, a small gathering,
My European friends!

He told a story of a night in Barcelona,
As a soldier in King Emanuel’s army,
Amid the horror of Civil War!
He was drunk – Spanish wine!
He was unable to walk!

To demonstrate,
He rose from his chair,
Got on hands and knees!
Mimicked crawling back to camp!
Saluting gate guards from a prone position!
He laughed hilariously!
All reserve gone.
How wonderful to see his laughter!

My guests laughed less!
They were from Eastern Europe,
Family members served
In Stalin’s Communist Brigades in Spain!
Relatives lived in Post-War Italy.

No word spoken!
Glances sufficient!
He did not notice!
I did!
Endless vengeance!

What does one do?
When suffering is daily fare?
Trauma sealed in mind, muscle, bone,
Images, sounds, smells!
Puncturing soul!
No respite! Again and, again!
Freud knew: Repetition-compulsion!

Distance, detachment, somberness!

Energy absent!
Frivolity foolish!
Happiness elusive!
Life questioned!
No escape!
An artist in agony!

Meditation . . .
In the years following WWII, the USA Government was obsessed with stopping the spread of communism Greece and Italy. The CIA invested billions of dollars in Operation Gladio, authorizing any method to halt Communist and Socialist rise to power.
More than 50,000 Italians were assassinated, murdered, or killed in open protests. Many were arrested, imprisoned, and tortured. There was total social and political upheaval and chaos. Scores of governments were formed and collapsed.
As in years before WWII, Italians fought against Italians. A government, favoring ties to the USA was sought, imposed, required. CIA efforts won. Italy became a puppet state for USA military forces.
I do not know my step-father’s experiences during this post-war period. He spoke little of them. He also spoke little of the horrors of the Spanish Civil War. He was a soldier in King Victor Emanuel’s Italian Army, a different army from Mussolini’s Fascist Black Shirts. For many, however, there were no differences!
He painted scores of oil paintings, giving almost all of them away as gifts. He sculpted with clay and plaster; no one in America wanted statues of saints. He also carved wood, turning wood scaps on a lathe he made from an old motor, automobile engine belts, and rusted iron, sanded and oiled to look new. He was a creative genius, a mechanical whiz, and an artist across mediums.
My step-father, Stefano, died in my arms at home at age 66. In the days before his death, he said to me: “The great tragedy of life is so few people have an opportunity to develop their talents.” He knew the agony!


Footnote 1:
This poem was originally written in 2014 and published in Anthony J. Marsella (2016): Gatherings: A Collection of Writing Genre. Mountain View Press: Alpharetta, Georgia. ISBN: 978-163183-023-5 Amazon Books.com
Some changes have been made in the original, but no changes in the intent and purpose: to honor respect, courage, and endurance in my step-father’s life.

Syria: Between a rock and a hard place

By guest author, Michael Corgan

Does the ongoing Syrian civil war have echoes of the Spanish civil war of nearly 80 years ago?

Unnamed grave with teddy bear for fallen children in Syria.
Unnamed grave with teddy bear for fallen children in Syria. Photo by Bernd Schwabe used under CC Attribution-Share Alike 3.0 Unported license.

If the conflict were only between the Syrian government and rebel forces (as was true in opposing Franco), then it would be easy for liberal or humanitarian interventionists to oppose what Assad has done to his people and support the rebellion. Indeed, many have already done so.

During the Spanish civil war, as far as outsiders were concerned, there were communists versus Nazis, and a choice was unappealing on those grounds. In Syria today, outsiders of equally unsavory character and practices are intervening for their own purposes, and that makes choosing sides problematic.

Hezbollah supports Assad and Al Qaeda has an increasing role in shaping rebel efforts. How can one aid either side without aiding those Shia and Sunni extremist militant groups so fond of terrorists tactics, and so responsible, in Syria as elsewhere, for the deaths of many innocent Muslims?

As far as outside interests go, you also have the U.S. trying to assert some role in the area versus Russia, which is loath to abandon a long-time client state and lose its only overseas base.

The biggest problem is for the neighboring outsiders. Turkey can probably handle the huge influx of refugees from the fighting, but Jordan is strained and poor fractured Lebanon could fall apart as enlivened Shia-Sunni fighting spills into its land.

There seems to be no workable ending in sight. Nor even a less deadly one. The best that the watching world can do now is to take care of the refugees whose numbers continually swell.